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Lighthouse auction raises money for arts, Chamber (with slideshow)

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Auctioneer Barry Cherwin

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Jean Sutton and Peg Nau with their lighthouse, Welcome to my Garden, sponsored by M&T Bank

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Auction chairs, Bob Siracusano and Marjorie Block with Chamber of Commerce Chair Mark Smith

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Gus Pedersen, who designed and built the lighthouses

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Daniel and Joan Lamb look over the lighthouses

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Elizabeth Clark-Jerez of Mamalama provided music

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How many of the faces on the side of Yvette Lewis’s “We Are the Garden" can you identify?

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Tad Richards toasts the event with club soda. A variety of dishes were served cafeteria style and eaten standing up at tables in background

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Alex and Barbara Kveton, Chamber of Commerce Chairman Mark Smith and Barbara Bravo

Photos by David Gordon 

 

An auction of the colorful lighthouses that graced Saugerties streets this summer raised nearly $30,000, according to unofficial estimates following the bidding.

Thirty-three of the lighthouses were auctioned off on the lawn of the Kiersted House; one was raffled, and one of the original 35 lighthouses, “C’est un Phare,” was stolen.

The event was chaired by Bob Siracusano and Marjorie Block. It, along with the four previous auctions, was sponsored by the Saugerties Chamber of Commerce. In his opening address, Chamber President Mark Smith said the event serves three functions. “One is to show off the local art; how many artists we have locally, and what the talent is here. The second is to bring tourists to Saugerties to see the art, and the third is to raise money for local charities and not-for-profits.”

At the close of the auction, Smith said he was pleased with the turnout and the enthusiasm of the attendees.

The funds are split three ways, divided by thirds: one-third to the artist who created the lighthouse, another third to the Chamber of Commerce to support next year’s public art event and the final third divided up between the Saugerties Historical Society, the Saugerties Artists Studio Tour and the Village Tree Commission.

The lighthouses were designed and assembled by local craftsman Gus Pedersen, who said he spent about two months on the project. The artists and organizers praised his design as closer to the actual lighthouse than the previous design, which was auctioned in 2011.

The food service included hot and cold hors d’oeuvres, consumed standing at tall tables. Refreshments also included wine and beer. Some of the area’s finest restaurants provided the food, including Sue’s, Mirabella, Dutch Ale House, Lucky Chocolates and Café Mezzaluna.

Block said she was glad to see that a portion of the proceeds went directly to the artists who provided their work. In addition to creating the lighthouses, many of them also helped to carry the works for the auction, set up and perform other tasks. She also praised Tad and Pat Richards of Opus 40 for donating a good deal of labor, as well as other community members.

“We (the community) have asked a lot of our artists over the years. This year they are getting something for their work,” Block said.

Cherwin said he was impressed by the level of energy this year. “We raised more money this year than last,” he said.

Top sellers included Tara Richardson’s Home and Garden ($2,900), Donna and Russell Parisi’s Greased Lightning 1950s ($3,000) and Alex Kveton’s Timeless Mechanics ($4,000).

In addition to the lighthouses, the auction included karate lessons, a flat-screen television set, a wine of the month membership, a night at the Saugerties Lighthouse, a scholarship to the School of Rock and a photograph of Elizabeth Taylor. A request for donations for the completion of the barn at Kiersted House raised more than $1,900.


Slideshow: Ulster Savings Community Appreciation Day

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Emily Lam, 5, paints a pumpkin

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Reese Peters pets a dog at the Ulster County SPCA booth

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Carol Schilansky markets her canvas printed photos

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Desi Dutcher, Ava Ashley and Andrew Rega of Legal Swine Barbecue sold food and drinks

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Nickolas Campbell, 9, works the crowd on a pogo stick for U Can be on TV, a television production company

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Ashley Altieri demonstrates her martial arts skills. Lykes Martial Arts held its graduation ceremony at the event

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Photos by David Gordon

 

The parking lot at Twin Maples became a mini carnival for the day on Saturday, September 23, with clowns, games, prizes pets and snacks, all sponsored by the Ulster Savings Bank branch in the Twin Maples Plaza.

The Glasco Fire Department brought an engine and the company’s recently-acquired rescue boat. According to firefighters, the twin 200-horsepower Mercury engines can move the craft up to 50 miles per hour. The boat’s first outing was in a search for an airplane that crashed in the Hudson River off Dutchess County in May. The firefighting equipment drew large numbers of children fascinated with the close-up look.

The bank provided pumpkin painting and tie-dying of T-shirts, while M and N Productions, which produces a television show called U Can be on TV offered games, including prizes that ranged up to a bicycle.

Blessing of the Animals

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(Photo by Alen Fetahi)

(Photo by Alen Fetahi)

All creatures great and small and their people families are invited to a Blessing of the Animals at Trinity Episcopal Church on Rt. 9W, Barclay Heights Sunday, Oct. 6 at 10 a.m. in the white church with the red doors. Pets are required to be on leash or caged in an appropriate conveyance. If the pet doesn’t travel well, a surrogate photo or stuffed animal may be brought in the animal’s place. The Blessing of the Animals is held on the Sunday closest to Oct. 4, the day on which St. Francis, the patron saint of animals, is honored.

Mum Festival rain date: Oct. 13

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(Photo by Alen Fetahi)

(Photo by Alen Fetahi)

As last week’s weather did not cooperate, the 48th annual Mum Festival will be held at Seamon Park on Rt. 9W on Sunday, Oct. 13 from noon to 5 p.m. The opening ceremony begins at noon with the American Legion, Noah’s Ark Nursery School and Saint Mary’s Choir. There will be a variety of attractions offered in addition to delicious food and music. A few new items will be offered this year, including a “Mum” full of Memories Tribute in which participants can honor and/or remember someone special. Buy a foam flower with the name of a special someone to adorn the “Mum” full of Memories tree, on display through the month of October. Free horse and wagon rides from 1–3 p.m. will be provided by Ray Mayone with his wagon and horses on Finger St. Entertainment will include banjo players all day, a petting zoo, wildlife show, reptile show, art show, demonstrations by the Lykes Martial Arts and decorative painting demonstrations.

The Saugerties Mum Festival Committee would like to sincerely thank George Terpening for his help in making this year’s Mum Festival a success and for his dedication to Seamon Park and the Saugerties community. The park is in full bloom and looks beautiful as always. The Mum Festival committee would also like to thank Mark Smith for an outstanding job on the program every year.

Zombie invasion takes over village Oct. 19

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zombie squareEach year, the Village Invasion Zombie Crawl turns the village of Saugerties into a playground for the undead, so it’s fitting organizers will use proceeds from this year’s event to help fund an effort to rebuild the Small World playground at Cantine Field.

The fourth annual invasion kicks off at 6 p.m. on Saturday, Oct. 19. The Invasion is “the largest zombie event of its kind in the Northeastern United States… part horror film reenactment, part pub crawl, part community celebration,” according to its website. Event organizer and Saugerties native, Jaimee Moxham, aka Captain Cruella, says last year the event drew as many as 4,500 people.

This year’s theme is Carnival of the Dead, so expect to see zombie clowns (making their best balloon animals), stilt walkers, magicians of the dark arts, flame and sword swallowers, and the like.

Gift bags will be awarded for best costumes in the categories of best group, best couple, best kids, and scariest.

Kingston-based punk rock band Tigeriss will perform on an outdoor stage at the corner of Main and Partition at 8 p.m. Nearby, funk-rock band Voodelic promises to play a spooky black-light show at Dave’s Wine & Coffee House starting at 9 p.m. Live music can also be heard at Main Street Restaurant.

Hudson Valley Dessert Company owner Constance Bailey says the event is more than a costumed pub crawl. “Last year, folks of all ages came,” she said. “We stayed open late and we will again this year, serving ‘brains’ and scary cookies.”

Sweet treats can also be found at Lucky Chocolates, which will be hosting its Mad Scientist Laboratory once again this year. Fellow sponsor Brine Barrel Pickle Company is also among the list of businesses that will stay open late during the festivities.

Additional vendors will include Spyda Adams and Spray Blood. Cantine Haunted Estates, a haunted house attraction at 455 Washington Ave., will coincide with the Invasion. Admission to the Estates is an additional $15.

“It all started as a fun way to incorporate my love for my hometown and my love for Halloween,” says Moxham. Every year the event has grown, with several co-organizers joining the team. This year the full committee includes Moxham’s partner Brian Solomon, author of the Vault of Horror blog, Neal Smoller, owner of the Village Apothecary, and Perri Naccarato of the Computer Guys.

In 2012, Invasion organizers estimate they raised around $3,000. This year, they hope to raise $5,000. “That would be a tremendous goal,” says Moxham. “Even more would be amazing.”

Cost of admission is just $2, with proceeds to benefit a rebuilding of the Small World playground. Computer Guys owner and Invasion co-organizer, Perri Naccarato, says choosing Small World as the beneficiary this year was a no-brainer. “[Neal] Smoller and I both have children and our children play in the local playgrounds, so when Mr. Smoller had to choose, of course it was the one closest to us that could accommodate his Smoller tribe.” (Smoller and his wife are the proud parents

of four small children).

Since its inception in 2010, the Invasion has become a nonprofit. Moxham says, “The event’s focus has always been to give back to the community in a fun way. As the event has gotten more popular, so has the need for more security, more help, more everything. As a nonprofit we’re able to seek granting and be continually improving.”

Chief of Police Joseph Sinagra says that event organizers have indeed had to pay the wages for seven Saugerties officers to be present at the event. Additionally, three state troopers and Sinagra himself will be in attendance (though, Sinagra says he won’t be paid overtime for attending). Sinagra says the number of officers needed for the event was determined by the presence of alcohol and the occurrence of a few incidents at past events. He said last year there was only one alcohol-related incident.

Sinagra says the main concern has been certain zombie costume accessories. One year, one attendee brought a gun, while another attendee brought a chainsaw (with the blade attached). Sinagra advises that participants this year also not bring real swords or any similar weapons.

The event will be recorded by surveillance cameras and monitored on closed-circuit television at the police station’s new Live Crime Center.

Main and Partition streets will be closed to traffic during the event.

For more information, to become a sponsor or to sign up as a vendor, email CaptainCruella@gmail.com or visit www.VillageInvasion.com.

Celebrating the beauty of the season at the Mum Festival

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(Photo by Dawn Green)

(Photo by Dawn Green)

Mums are almost as ubiquitous in the fall season as pumpkins, but nowhere are their vibrant colors displayed so beautifully as Seamon Park, which is decked out throughout October for the annual Mum Festival.

In spite of its name, the festival, now in its 48th year, exalts more than the chrysanthemum. It celebrates all the beauty the season has to offer in this corner of the Hudson Valley. As Ethel Resso, a member of the Mum Festival Committee, notes, one of the things that attracts people to this festival year after year is the beauty of the entire park. She calls the park, which she describes as an inviting place to sit and enjoy nature, “the heart of Saugerties.”

Setting itself apart from other fall festivals that have perhaps more hustle and bustle, the Mum Festival has a sense of leisure to it. On the rain date of Sunday, October 13, couples strolled the grounds, stopping to take pictures beside the floral displays or fountains. Parents sat on marble benches in the shade of trees adorned in reds and golds watching their children roll and tumble down the park’s steep hills or run through the wide open spaces.

This celebration of natural beauty could also be seen in the art show, which Resso deemed the “can’t miss” part of the festival. Watercolor, acrylic and oil paintings of birds and flowers hung beside photographs of local landmarks on the lower level of the park. Regine Petrosky, who has been participating in the art show for nearly ten years, had 14 of her pieces, some new and some older, on display this year. Sketching in the afternoon light in front of her works, Petrosky said she is inspired by the world around her, and of her watercolors said, “I love it when the water does its own thing.”

In addition to celebrating beauty, the Mum Festival also celebrates history. The history of Seamon Park, which has been open to the public since 1909, was recounted in the festival’s program. The history of the festival’s traditions, particularly the crowning of the Mum Queen and her court, was also celebrated in the vintage photographs of past titleholders on display in the front of the park. New this year was the ability to celebrate the history of individuals and families. Patrons could purchase a foam mum on which they could inscribe the name of a loved one who had passed on. These foam mums were hung on the “Mum Full of Memories Tree” where they will be on view through October.

Of course even with its unique qualities, the Mum Festival is still a festival, and as such had its share of family-friendly activities. The face painting booth, staffed by Saugerties Junior High teacher Tina VanVoorhis and members of the Key Club, offered a variety of designs to delight children, as well as airbrushed tattoos. The booth had a steady stream of young customers and raised money for the PTSA.

Also appealing to young children were the two wildlife shows featuring animals such as monitor lizards and rattlesnakes. Children could interact more closely with animals at the petting zoo area at the top of the park where there was a miniature pony, a donkey, and a chinchilla, among others.

Vendors near the petting zoo area appealed to all members of the family, offering such items as handmade jewelry and sweets. Bobby Jo Morey of BJ’s Goodies, which sells pretzels, Twinkies, apples and bananas dipped in chocolate, as well as cheesecake and other desserts, was selling her products at the Mum Festival for the first time, and said business was going well. In spite of the colorful display of candy which tantalized the younger crowd, she said, “I’m not gonna lie, even more adults are drawn to us than children.”

Those adults and children as well also enjoyed horse and wagon rides and a variety of music throughout the day, including banjo music and the Saugerties Community Band. These activities, and their idyllic setting, are a part of what Ethel Resso, of Noah’s Ark Nursery School and a member of the planning committee, calls “old-fashioned fun and a true Saugerties tradition.”

Scenes from the Saugerties Zombie Invasion

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Slideshow photos by Mookie Forcella

Alternative energy panel discussion at SPAF on 10/24

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bulb sqAdvocates of the use of alternative energy cite the benefits: a reduction or elimination of global warming, an improved environment, a vast and inexhaustible energy supply, jobs and other economic benefits, stable energy prices and a more resilient energy system—what’s not to like?

When you look at it that way, the big picture looks good. But how does one actually go about putting solar, wind and geothermal technologies to work in one’s own home? And how can alternative energy sources be made affordable and practical for homeowners?

Jessica Larcy Abrams of Green in Greene, Inc. in Earlton, which installs, services and legalizes personal-scale wind turbines, says that wind power is something accessible to anybody who is available to harvest the wind for power. Abrams will be one of the speakers at a panel discussion on alternative energy—with a focus on residential applications—to be held on Thursday, Oct. 24 at 7 p.m. at the Saugerties Performing Arts Factory (SPAF) on Ulster Ave.

The event will include a presentation on how each technology fits into the larger energy picture, how each energy source relates and connects with the others, how they compare in terms of practicality for homeowners, with regard to suitability for specific locations and conditions, and predictions regarding future prospects and applications.

In addition to Abrams, the panel of experts will include John Rhyner, licensed professional geologist and director of the Sustainable Energy Group with P.W. Grosser, which designs and supervises installations of large and small scale geothermal projects, and Brian Wiley, development and design specialist for solar installations and a NYSERDA-approved solar installer. Following the discussion, the audience will be able to network with panelists and vendors in an informal setting.

The panel is sponsored by Sustainable Saugerties Transition Town, a grassroots organization whose members seek to create a resilient community that can supply its own basic needs regardless of what future forces come into play. It’s about “walking the talk,” says Larry Ulfik of the Northeast regional hub of the Transition Towns movement. “All of us are in this together.”

For more information, email sustainablesaugerties@gmail.com or call (845) 883-5766.

-Sharyn Flanagan


Slideshow: Halloween Parade in Saugerties

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Anikka Park, 3, as Audrey Hepburn won the prize for cutest costume

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The parade on Partition Street

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Jasper, Leah, Cedar, and Ceil Novak

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Kids line up for a photo before the parade

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The parade steps off

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Sasha Martin, 2, as a doctor

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Christian Mistri and Thomas Richter stop to check out Willie Neumann’s love knot

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Participants parade past judges in the Village Hall auditorium

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The Fire Department and the Ladies Auxiliary served cider and donuts

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Danielle Payette and her daughter, Elianna Payette-Bates, 5, as hedgehogs

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Liev and Kaya Sanzen, in wagon, with Elianna Payette-Bate

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Michelle Jubie and Kassiddy McGipp as a witch and a dead prom queen

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Rocco Fortuna as a hot air balloon with father, Eric Fortuna, won the prize for most original costume

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Dara and Domenic DiPaola with 2-year-old Danica as a chef, fork and pumpkin received the prize for best group costume

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Joshua Swart, 9, as a Ninja

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Fire trucks brought up the rear of the parade

Photos by David Gordon

The ghosts, witches, warriors and fairy tale characters of Saugerties lined up for the annual Saugerties Halloween parade on Friday, October 25, sponsored by the Fire Department and Auxiliary.

The parade route started at the village parking lot off Partition Street and ended at the fire house, where costumes were judged and bags of candy were distributed upstairs, and cider and doughnuts were served downstairs.

Costumes were judged, and winners selected in five categories: Scariest, Molly Napolitano as Zombie Bride; group, Dara Danica and Domenic DiPaola; cutest, Annika Park as Audrey Hepburn; most original, Rocco Fortuna as a hot air balloon, and funniest, Anthony Sloane as Ace Ventura.

Didn’t know about the parade? Read Saugerties Times newspaper and get advance notice on ALL community and family events, both in Saugerties and region-wide via Kids’ Almanac. Subscribe today or pick up your copy at the newsstand.

These photos will appear in the Oct. 31 issue.

Slideshow: Reformed Church Halloween party

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Ashley Brennan, Caitlin O’Brien and Mariana Martinez enjoy snacks

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Kimberly Stupplebeen decorates a pumpkin

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Jeanne and Kimberly Stupplebeen make decorated pumpkins overseen by Maria Cabigas

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Jeanne Stupplebeen, Jordan Morse and Cruz Geuss make spiders

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The parade

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Roan Johansen as a Ninja

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Butchers in the haunted house

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Reformed Church of Saugerties Pastor Terry O’Brien and his wife, Jeanne Jones

The annual Halloween party at the Saugerties Reformed Church generally draws around 165 visitors, said Pastor Terry O’Brian on Saturday, October 26. Most of the children, and some of the adults, came to the event in costume to make crafts – pumpkin decorating and spider creation – play games and enjoy the variety of cookies and cakes.

The Haunted House featured a storyteller with a coffin, a séance and two butchers hacking at a cadaver.

A costume parade was the finale of the event.

Holiday in the Village Guide

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holiday village HZTSaugerties’ annual Holiday in the Village celebration returns on Sunday, Dec. 8 from noon to 6 p.m. bringing family-friendly festivities all throughout the streets of the village. Ten thousand dollars worth of toys will be given away by free raffle ticket and approximately 40 local merchants will open their doors with special discounts for shoppers and free holiday goodies for the kids. So much is going to go on, in fact, that the sponsoring Saugerties Area Chamber of Commerce has arranged for roaming elves to be out and about on the streets handing out leaflets with the days’ activities listed so that nobody misses out on anything. But in case the pointy-eared pixies don’t come your way, allow us to be your guide.

12 p.m.— The mood will be set at the Reis parking lot at Main and Market streets with holiday music put forth by DJ Crazy Frog. He’ll be there all day. Disney characters will roam the streets, meeting and greeting and providing photo ops. The historic Kiersted House will open its doors, welcoming visitors with free hot chocolate and cookies inside and a petting zoo on the lawn outside. Oh, and that Santa guy will be at the Kiersted, too.

Outside of ‘Cue restaurant at 136 Partition St., a dozen or so vendors of crafts and holiday merchandise will set up with an outdoor marketplace selling unique items for gift-giving. The Boys & Girls Club at 45 Partition St. will offer face painting for kids.

The Saugerties Public Library at 91 Washington Ave. will host the annual Festival of Trees from noon to 4 p.m., with refreshments and crafts for kids. To participate, sign up at the library’s circulation desk to contribute an artificial tree for the event, as long as it’s less than 36 inches tall. No lights are permitted as decoration, and trees must be labeled with the donating individual or organization’s name. Trees can be dropped off any time the library is open through Saturday, Dec. 7. Trees must be picked up again by Saturday, Dec. 14, or the tree can be donated to a local organization. Visitors to the library will vote on their favorite, and a donation to the local Food Pantry will be made in the winner’s name.

1 p.m. — Free horse-drawn wagon rides begin at the Village Fire House at 1 p.m., courtesy of Ray Mayone, and the first of three toy giveaway raffles will be held at the Reis parking lot, to be followed by a second raffle at 2:30 p.m. and another at 4 p.m.

The Toy Giveaway is really at the heart of Holiday in the Village. Bob Siracusano of Sawyer Motors is the organizing force behind it, and when it comes to rallying the troops, he’s not shy about getting donations for the worthy cause from other local businesses and then making sure that kids who might otherwise miss out are there to benefit. “I reach out to schools and churches and different organizations that work with children that really need something for Christmas,” he says, “and then we try to make sure they show up on Sunday.”

The Toy Giveaway is made possible through generous donations from many local businesses and organizations, says Siracusano, notably Sawyer Savings Bank, the Kiwanis, Ward Backus Collision and the Village Apothecary. “But I just mentioned a handful there – I have a lot of people in town who give smaller amounts, whatever they can.

“It seems like whenever we get involved with anything, we have the support from our community, the business people and all our sponsors,” he says. “It’s a wonderful feeling to know that you can give all this stuff away and you know all you have to do is pick up a phone and ask for support and it’s there. We’re so grateful for the community that we live in.”

The raffle tickets are given to children at no cost. “Everyone has a shot at winning a toy,” Siracusano says. “Come by the Reis lot before noon, before it’s all handed out, and I promise you’ll be amazed by what you see. It’ll make your day.”

Several thousand kids are expected to participate in the raffle with a chance to win one of 100 bicycles and over $10,000 worth of toys in all.

Planning Board green-lights Winston Farm concert

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winston HZTPlans for a summer weekend music festival, named the Hudson Project Music and Arts Festival, received Planning Board approval last week, moving plans for live music at Winston Farm one step closer.

The proposal would see 20,000 to 30,000 people descend on Winston Farm, site of the famed Woodstock ’94 concert, from July 10-13, to enjoy acts from nearly every genre of music except country, bluegrass and Americana, said Jon Fordin, co-owner of MCP Productions.

The event would feature four temporary stages, including a large main stage that folds out from a tractor-trailer, and three other tent stages, Fordin said.

Many concertgoers would camp out for the duration of the event, he said.

The entire set up including lighting, restrooms, and showers would be temporary, he added.

With this approval, Fordin hopes to begin ticket sales in early February. Tickets would be sold online, and at several to-be-determined locations around Saugerties and Woodstock.

The festival also needs a mass gathering permit from the town, which has expressed support for the idea.

Fordin, who has been putting events like this together for 12 years, is excited about the road ahead as he books talent and markets the show.

“We’ve come a long way to reach this stage, but there’s a long way to go,” he said. “We’re just very excited about this approval.”

Fordin said other details his team needs to finalize in the coming months include security measures and parking.

Last month he presented an extensive security plan that included a zero-tolerance drug and weapon policy with multiple security checkpoints, RFID bracelets for ticket holders, and an on-site command post staffed by New York State Police and Ulster County Sheriff’s officers.

While he could not offer any specifics on what percentage the town would get from ticket sales, he said local residents would receive a discount on tickets.

“We always give the locals a discount on tickets to our concerts,” he said. “We anticipate offering these discounts to people with a Saugerties address.”

Michael Lang, famed promoter of the Woodstock concerts, is also working on this project. He is very optimistic about the prospects for this event.

“We’re excited about this coming to Saugerties,” he said. “It’s something that is going to be here for years to come, and has a great opportunity to grow.”

Planning Board member Paul Andreassen is keyed-up about the idea.

“It’s great to see this concert coming to this site,” he said. “These guys are experts and I’m very confident that they will put on a great show that will only grow in the years to come.”

Board member Dan Weeks sees this concert as a great experiment for the town.

“They’re experimenting and we’re experimenting,” he said. “I can’t wait to see what this would look like when they start talking about a permanent installation.”

Christmas Candy Run now in 94th year

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(Photo by Alen Fetahi)

(Photo by Alen Fetahi)

Rudolph and the other reindeer may have the transportation contract for Christmas Eve locked up, but Santa gives the team the day off the next morning, trading the reindeer with the big red nose for one of the Saugerties Fire Department’s big red trucks.

Starting at 9 a.m., the jolly old elf will embark from the fire station on the Christmas Candy Run, distributing goodies to kids throughout the village. Fire Chief Dave Mason says the department manages to hit every street in the village.

It’s a quintessentially Saugerties custom that starts with firemen playing the role of the elves, stuffing around 1,000 packets of candy. Just as they have for the last 93 years, firemen arrive early on Christmas morning for breakfast and take off in two shifts of about three hours each, a dozen to a shift. It’s organized by C.A. Lynch Fire Company but includes members of all village fire companies.

“We usually finish up by 3 p.m. so the crews can get home for their own Christmas dinners,” Mason said.

Over the years, Santa’s trip has been interrupted a few times by fire calls, but the distribution usually takes place without interruption.

Look for the fire truck on Wednesday, Dec. 25 between 9 a.m. and 3 p.m.

Day three of Hudson Project cancelled due to weather

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Photo by Alanna Mathers

Photo by Alanna Mathers

After suspending performances just before 6 p.m., the Hudson Project announced the event would not resume due to inclement weather.

The announcement prompted widespread disappointment among fans of Sunday headliner Bassnectar, as well as comparisons to other festivals that were undeterred by torrential downpours.

No official notice has been released by police or fire officials, but the reason for the cancellation is likely more rain and lightning in the forecast later tonight.

Fans, fuming from their tents and cars, took to Twitter to voice their displeasure.

 

 

 



  Others were more understanding.  

 

   


 

There were the inevitable house party offers

 

 


 

The festival may have been a bust for Sunday ticketholders, but those who attended previous nights had a much different take.  

 

Slideshow: The Hudson Project Music Festival

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The official Town Board golf cart

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Michael Lang, organizer

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Browsing for festival attire

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Van from DIG took the local shuttle in

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Flaming Lips

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tent in the water ALANNA MATHERS s

Photo by Alanna Mathers

Held July 11-13 at Winston Farm, Saugerties. Photos by Will Dendis unless otherwise specified.


Red Cross sets up shelter for festival refugees

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Photo by Katie Berg

Photo by Katie Berg

Over 16 hours after the festival was suspended then cancelled due to severe storms, thousands at Hudson Project remain stuck in the mud in flooded parking areas. One woman said only a handful of tractors were on site to tow hundreds of cars out of the mud, and no food or water was being provided. (Note: festival organizers said snacks and water we’re being distributed.)

This morning, the Mid-Hudson Valley Chapter of the American Red Cross opened an emergency shelter at the Kiwanis Ice Arena, at the request of the Ulster County Director of Emergency Services.

Red Cross volunteers have mobilized to staff and supply the shelter, and additional shelter sites have been identified in the event they are needed. At this time, the Red Cross anticipates that this will be an overnight (24-hour) shelter operation.

Anyone looking for information on the shelter should contact the Red Cross Mid-Hudson Valley Chapter at 845-471-0200.

Saugerties police are asking local drivers to avoid the area (Rt. 32N) while crews continue work getting cars out.

Red Cross closes shelter for stranded festival-goers

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red cross sqThe overnight shelter set up for attendees of The Hudson Project has closed, according to the Mid-Hudson Valley Chapter of the American Red Cross. The Kiwanis Ice Rink in Saugerties was opened as a shelter following heavy rains Sunday afternoon that flooded parking areas and prevented many attendees from leaving in their vehicles.

The shelter had 47 total residents before closing at 2:30 p.m. this afternoon. Festival promoters coordinated with Ulster County to provide buses to transport people from the Festival site to the shelter and back. Red Cross volunteers mobilized to staff and supply the shelter. In total, they served 78 meals and 871 snacks and water.

Mud-caked festival-goers make their way out of Hudson Project

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Kevin Hackett, in headdress, and friends wait for their ride home (photo by David Gordon)

The Hudson Project Music Festival, held at the site of Woodstock ’94, had at least one thing in common with that festival: pouring rain and mud. They both were quickly renamed appropriately, Mudstock and Mudson Project.

Unfortunately, the storms that rolled through Saugerties Sunday evening came at the end of the festival and were severe. With torrential rain, high winds and lightning storms in the forecast, the County Health Department shut the festival down around 6 p.m. Attendees still played in the mud in parking and camping areas, but there was no live music soundtrack.

While some chalked it up to the risks of outdoor music festivals, others said the show should have gone on.

“We go to 10 or more concerts a year, and I haven’t seen anything like this closing,” said Sammy Joseph of Long Island. “I thought the music was amazing, but I wasn’t happy with some of the aggression I saw.”

Joseph said she wasn’t happy with the attitude of some of the police officers, who were a presence at festival checkpoints and parking areas but not inside the performance area.

“I understand they were doing their job,” she said, but they seemed too aloof.

Kevin Hackett of Athens, NY said the lineup was excellent, but Sunday night’s acts should not have been cancelled.

Christine Jenkins of Burnt Hills, NY had a different take. “It was disappointing; very unorganized and too muddy,” she said.

The biggest disappointment for most we spoke with was missing the Sunday headliner.

“I wanted to hear Bassnecter,” said Siena Facciolo of Montpelier, VT. She was still around Monday, picking up snacks at the Sunoco Mart off Rt. 32. Too tired on Sunday night to drive home, she decided to stay over at the site.

“I would call it Mudson, not Hudson,” said Water Baldwin of Montpelier. “The grounds were not made for this. We had two good days, but they were not really ready for the rain.”

With hundreds of cars still stuck in the mud on Monday morning, and some stranded attendees running low and food and water while a handful of tractors towed out vehicles, the Hudson Valley chapter of the Red Cross set up a shelter at the Kiwanis Ice Arena. That morning, it was announced that the shelter might be operational for 24 hours and additional shelters might be set up at other sites, but that proved unnecessary, at it closed at 2:30 after serving around 50 people.

With the concert in the past, Nick Fusco, who operates the Sunoco Mart, looked back on a weekend of work, with more to come. The floors were muddy and there were long lines at the registers.

“It’s a tradeoff,” he said. “The place is a mess, but we did a lot of business. We’re hoping the festival promoters will help with the pick up.”

Fusco said those who found fault with the festival should give the organizers time. “You have to remember this is the first festival since 1994, and they are still learning about the site and the area and the disastrous weather. I’m sure they will do better as they go along.”

Among the mess left behind were 25 pairs of shoes, Fusco said. However, he described the young concert goers as respectful, “and we had no issues with them. This seemed to be a good spot to stop in; they felt safe here and they did the best they could.”

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Sammy Joseph prepares to leave Monday

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The Hudson Project and the next generation of music festival

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Saugerties’ Hudson Project Music Festival had at least one thing in common with the Woodstock ’94 festival that preceded it on the same site: plenty of rain and mud. Unfortunately for Hudson Project attendees, that rain came at the tail-end of the festival, not the middle, and carried with it lightning severe enough for the county to pull the plug, leaving thousands of wet, frustrated — and in some cases very inebriated — young fans stuck in the mud.

Damning appraisals of “The Hudson Disaster” and “The Mudson Project” were furiously tapped out on smartphones overnight and into the next day, especially by those who travelled considerable distance with Sunday-only passes only to be denied before hearing a note of music. A late-Monday announcement on the festival’s Twitter feed promising full and partial refunds would be issued did much to quell the rage.

Friday and Saturday, on the other hand, were by all accounts fantastic nights of music, dancing, good food and good vibes. Official attendance figures haven’t been released, but Town Supervisor Greg Helsmoortel said at its height on Saturday night there were around 16,000 paying festival-goers, short of the expected 20,000-plus. As a result, the lines weren’t bad for food or portapotties, and getting a good spot front-row, center was no problem.

The crowd was very young; it was rare to see someone over 30, most looked under 25. Nor was it counterculture; most were well groomed, svelte and deodorized. They came to dance and dance they did, to a bill that was mostly composed of electronic music with a human element (a guitarist or saxophonist next to the keyboard rack generating most of the sound was a typical setup). A few indy rockers and hip hop acts were sprinkled throughout, and though they were the minority, their presence distinguished the festival from others this summer; the noodling jam bands that used to dominate multi-day festivals have been supplanted by guys on laptops playing.

While most reports of the first two days were positive, some festival veterans thought the security was a buzzkill. Saugerties Police Chief Joseph Sinagra reported 151 arrests, resulting in 58 felony and 159 misdemeanor charges, and 61 violations. All were drug-related. Typical grumblings included the words “police state” and assertions that Hudson Project was no replacement for Camp Bisco, an annual festival in the Capital Region which was cancelled this year due to pressure over numerous drug-related deaths.

No word yet if there will be a festival next year. From the town’s point of view, it was a success. The only significant change the town would ask for would be no parking in any area that would become muddy in the event of another rain storm.

Locals who attended reveled in the convenience of the location.

“This was my first music festival, but it definitely won’t be my last,” said KellyRose Yaeger, 18, of Saugerties.

“I thought Friday and Saturday were fantastic,” said Van Bolle, co-owner of Dig Boutique. “As a business owner you always want to have as much business being generated as possible, but as someone who lives in town, to have something like this in my backyard was great.”

 

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What it was like to be there

The announcement of the festival lineup was met with a collective head-scratch by most locals. Hudson Project was not a Bonnaroo-style cross-generation something-for-everyone affair, where 20-year-old saucer-eyed ravers mingle with Budweiser-and-boxed-wine swilling Baby Boomers. The latter crowd could have been spotted the previous weekend at the Crosby, Stills and Nash concert at Bethel Woods, site of the original Woodstock. Hudson Project was all about the youth.

Although there was a “register to vote” booth, for the most part, the festival was a gathering without any pretensions to a higher purpose. The Woodstock generation thought it was on the crest of a high and beautiful wave that would change the world. Their music reflected this idealism. If music at Hudson Project had an ethos, it could be summed up in one word: dance. Festival sound and lights have improved significantly in the last ten years, and are light years ahead of what they were 45 years ago. Hypnotic lasers suspended in the air and spleen-rattling bass, music that’s perfected a cycle of rising tension, false climax, release, rise, another climax — drums from quarter, to eighth, to sixteenth, sixth-fourth and 128th notes — into a triumphant combination of every theme introduced so far. It’s music engineered by mad scientists, in collaboration with robots, to be irresistible for dancing. Even guys who usually stand in concrete shoes nodding their heads end up jumping up and down, pumping their fists in time with the music; the girls who would dance at any show nearly lose their minds. All in good fun.

All imaginable amenities are provided. Compare to a ramshackle ’60s festival or the kind of massive local party in the woods rarely seen these days: They’d be cheap, maybe free, the sound would be bad, sanitation and security non-existent, no one to stop the fights or aid those who are in need of medical help. Every so often, someone would take a tumble off the top of the old quarry into the water and die. At a festival like Hudson Project, there are no such concerns. Security is everywhere. There’s a medical tent. The food is delicious. Beer and water are plentiful. Portapotties are on-site and pumped out every night. The sound is amazing. It’s expensive, but worth it.

In a way, these changes mirror others in our society. Today we have technological comforts previous generations couldn’t imagine, better cars, medical care, and less crime. But we’re less optimistic and less free to do whatever we want. We’re more closely monitored. It occurred to me that this connection might be a bit half-baked, until I recalled spotting the remote-control drone sailing over the festival grounds each night, surely routed to a truck somewhere full of uniformed security personnel monitoring the party.

 Hudson Project slideshow (38 photos)

Security

For most attendees, security was not an issue. But many festival veterans said the number of checkpoints and presence of police around the festival grounds was much greater than other festivals they’d attended. One said it promoted “a threatening atmosphere” that was out of place with the good vibes of the event. “Why can’t anyone throw a lawless banger like Camp Bisco anymore?” asked another.

The answer is, of course, while many attendees may love a freewheeling party, communities are not anxious to host them. As the Times-Union noted last year, over the years at Camp Bisco, “one patron has died, dozens have been hospitalized.” Concerns over safety led the cancellation of this year’s festival.

Police Chief Joseph Sinagra said this was on the minds of the town and promoter MCP Presents in planning the Hudson Project.

“The promoters really wanted to have zero tolerance for drugs,” said Sinagra. “The last thing they wanted to do was to have people come into Saugerties and have people die.”

Helsmoortel agreed.

“A lot of festivals, you read how many were taken to the hospital, almost died, even some deaths,” he said. “We didn’t want that, period. It was an effort by the security to prevent it. And there [were] amnesty boxes (for people with drugs to drop them off before entering the concert area). Police weren’t busting kids to make a bust.”

Sinagra said the local police worked with state troopers and the county Sheriff’s Department. State troopers were in control, and no distinctions were made between departments — troopers took order from Saugerties sergeants, and Saugerties patrolmen took orders from ranking officers of the other agencies. “I’ve never seen an operation run so smoothly in 27 years,” said Sinagra, who attributed the lack of any arrests for violent crime or theft to the police presence. “If it wasn’t for the drugs, it would have been a perfect concert.”

But aren’t drugs a part of the music festival scene? Might word about stringent enforcement get out and cause attendees to avoid future festivals? Sinagra says no.

“I don’t want to ever say there’s a particular component of our society that’s more prone to drug use than any other,” he said. “I don’t believe that for a second.”

Sinagra said drug use happens at all concerts, not just festivals. He said he was recently attending a Meatloaf concert when a man in front of him lit a joint, prompting the off-duty chief to tap him on the shoulder and ask him to put it out. (Note to anyone planning on partaking at an area concert: Keep your eyes peeled for Joe Sinagra.)

Contrary to reports of some attendees, Sinagra said police were not present on the concert grounds. However, they did watch the proceedings from offsite on a video feed, and radioed in to the private security if they saw something of concern, like an entrance gate where searches weren’t happening. He said security was cooperative, as were those arrested, whom he described as polite and apologetic.

Also on security detail, local contractor and horseman Ray Mayone, a recognizable face for anyone who’s  taken a ride on the Holiday in the Village horse-drawn wagons. At Hudson Project, he was one of 11 mounted security, who did not carry weapons, instead relying on the intimidation of the horse to lend gravitas to their commands. At Hudson Project, as at most festivals he’s worked, Mayone said he didn’t have any problems. He mostly just interacts with the crowd, tossing a Frisbee or football from the saddle, letting equine-lovers in the crowd admire the horse, keeping fire lanes open, taking up key positions during periods of high foot traffic, surveying the crowd for problems and serving as a visible sign that someone’s in control.

Mayone spent close to 40 hours on his horse over the three days. “I do a lot of concerts throughout the country, and I have to say, [the crowd was] very, very well behaved, very polite,” he said. “When things did turn a little bad (when the cancellation was announced Sunday night), the crowd was still manageable; they were never out of control.”

He said the Centerville Fire Company and chief Randy Ricks deserved credit for monitoring the fire lanes as well.

Digging out

The decision to cancel the third night of the festival was made by county Health Department Commissioner Carole Smith together with the promoters, according to Sinagra, who said he was part of the communications going back and forth as the storm moved in Sunday night.

Some attendees grumbled that the cancellation was too hasty, and they’d never seen a festival cancelled due to weather. Mayone, too, said he’d worked festivals where it “rained for days,” but the difference here was lightning. He was told there were between 2,000 and 3,000 ground lightning strikes within a six-mile radius of the festival grounds, and no event would continue in those conditions.

Photo by Alanna Mathers

Photo by Alanna Mathers

Concert organizers asked attendees to return to their cars and wait out the night if they weren’t sober enough to drive. The Red Cross set up a shelter at the Kiwanis Ice Arena, which served meals, snacks and water to around 60 people. When the sun came up Monday, around 1,000 cars were still stuck in the mud. By 5 p.m. all cars that were still attended were out.

In between, some complained that AAA tow trucks were not being allowed on-site. Instead, only the towing company the promoters contracted with was allowed. Some also complained about drivers asking for bribes for jumps and tows.

Local tractor owners also participated, including Mayone, who went home, unloaded his horse, got a few hours sleep, loaded up his tractor and returned. He said he didn’t see anyone asking for bribes, although he did get a few tips. He said he pulled out around 50 cars over the course of the day.

Helsmoortel said if another festival is held at the location, the town would ask that no vehicles be parked in areas that would turn muddy if it rained again. That could mean site work on the parking areas or parking all vehicles offsite.

 

The traffic that wasn’t

While local diners, hotels and convenience stores did well, the general consensus among business owners was the weekend was a bust.

“If anyone had done business from this it should have been me, and I would say we had one of our worst weekends in 15-20 years,” said Peggy Schwartz, owner of Town & Country Liquors and co-chair of the Saugerties Chamber of Commerce. “So not only did we not see business from this, we lost business. I believe the regulars were intimidated. I think people were afraid of the traffic. There was no traffic.”

Thanks to an ambitious traffic plan that directed festival-goers to exits 21 and 19, and on to routes 32 and 212, few ended up passing through the village. Business owners said they didn’t expect huge numbers of young festival-goers to go on shopping sprees; the main issue was people avoiding town because they feared the traffic. In the weeks leading up to the concert, town officials repeatedly stated attendance would be the same or less than the Garlic Festival. But, perhaps due to the more extensive traffic planning, which suggested a bigger crowd, or lingering memories from Woodstock ’94, many people didn’t believe it.

“There was a lot of feelings about Woodstock ’94; the memories were so vivid in their mind, I think people panicked in a way,” said Marjorie Block, village historian and tourism consultant.

In general, special events don’t help local businesses. Even small events that close the village streets for an afternoon result in diminished sales for nearby businesses. The upside is such events bring new people to the area, and if they like it, they may return. Helsmoortel said he spoke with a local jeweler who reported the slowest weekend in over a decade, but said he’d trade that for the reputation as a town that welcomes the arts and music, which will continue to draw people here in the future. “It makes Saugerties more of a destination,” said Helsmoortel. “It’s a happening town.”

“It’s great that Saugerties has a reputation for being an arts, festival and music community,” agreed Schwartz.

All suggested next year, if another festival is held, the town should try to have a more visible presence, with an information booth. Others noted that many festival-goers weren’t aware of the local shuttles to the village. Also, those who feared the festival would be larger than advertised and cleared out of town may be less likely to do so next year, so local businesses will likely have a better weekend.

On the plus side, the town has already received between $50,000 and $60,000 from the festival from its take on ticket sales, and is expecting  a few thousand dollars more. That money will go to the town’s general fund, said Helsmoortel.

 

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The verdict

Weighing the good with the bad, the Hudson Project was a success and should be welcomed back should promoters decide to stage another one. The main problems could be easily remedied by allowing parking only on surfaces that will not turn to mud in the event of another rain storm, and by having a greater local presence on site. Just having an information booth with some Saugertiesians would have been very helpful for the attendees looking for local info. Businesses in town will never have a good weekend when a large event is going on, but a better advertised local shuttle would be a big improvement. And it’s true what the supervisor and tourism consultant said: events that bring people to the area should be viewed as an investment in future tourism, not judged solely on that weekend’s sales.

Saugerties missed its chance to host the original Woodstock. And though Woodstock ’94 was an ordeal for many, it’s now remembered as the “good” Woodstock of the ’90s and it’s a point of pride for the community that Saugerties hosted it. It’s often said, with some truth, that small towns don’t offer much for young people to do. Or maybe it’s just that young people can’t or don’t want to do what their parents did; they’re not getting married in their early-20s, working at IBM, joining local community organizations that provide a full social calendar. In any case, for those locals who attended, there were surely moments of incredulity — I’m in my hometown, at the biggest party in the tri-state area, having an awesome time. Not every town has a location like Winston Farm, but would every town that did host such a festival? Probably not. It is to Saugerties’ credit that it is up for this sort of thing. The early settlers of Saugerties were Dutch, and the Dutch are a tolerant people. We should note any problems with holding a large festival (giving allowance for this being the first at the site in 20 years) and address them next time around during the permitting process, if there is a next time. But we should strive to be a community where all are welcome; locals, people who moved up from the city, rich, poor tea partiers, liberals, hippies, straights, veterans, pacifists, environmentalists, developers, and so on. Isn’t it a lot more interesting this way?

Going native at Hudson Project

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The Urkel Totem

This is probably the closest that Saugerties will ever have to having a shanty town, but it could be worse; at least the kids who run the joint seem to be having fun.

It’s the campground at the inaugural Hudson Project music festival, held at Winston Farm, safely away from the village. Placed not but a foot from one another for what seems like three football fields, multicolored tent neighborhoods — replete with neighborhood friendships and rivalries, with just a little more opiate usage than you’d normally find on Mulberry St. — have exploded. There are no bad neighborhoods, per se, considering that everyone is united by the consistent presence of grime, facepaint, molly (a euphoric stimulant), and good vibes.

There is a rich side of town, though, that I desperately want to be in. It borders the campsite, separated from the rabble by a chain link fence and a meager few feet. In it are 70 beige tents that look like a cross between a teepee and a World War II desert command center, and in each of these command centers is: two memory foam mattresses complete with darling and particularly chosen complimentary pillows, hardwood flooring, electric, WiFi, a Keurig coffee machine, and a few K-Cups for good measure. The kicker? You get to keep the coffee machine.

With the sun setting over the hill I gaze longingly at how the other half rightly lives. Nicole Hoerold, whose impromptu tent fiefdom I have become a very minor part of, promises that the upscale campsite — referred to at the Hudson Project as Glamping, a portmanteau of glamour and camping — just isn’t the right way to do a festival.

“You’re here for the mud, you’re here to be among people and experiencing the whole thing,” she says.

I follow her to see a band called Bonobo with a few acquaintances, as throngs of hipsters and hippies alike flood out of the campsite to take in the evening festivities after some minor preparations. Somewhere still in the campsite, someone is flipping around a 15-foot-tall PVC pipe with a double-sided photo of Mike Woodson, the former New York Knicks head coach with the goatee so dense and dark that no light can escape from it; one side shows him doubting the veracity of a call, and the other shows him in apparent anguish.

A first aid quad blows by as we make our way toward the Empire Stage, where all the big acts, including Modest Mouse, Flatbush Zombies, Kendrick Lamar, and Bassnectar (regrettably cancelled) are set to play. On the back is a kid whose mind is some place very far from here.

The Hudson Project is a happy place. Folks are dancing everywhere, even when they’re safely out of range of music. Pretty much everybody is sunburned and, I’m amazed to say, I don’t see a single blow thrown. It’s like a college-aged Sesame Street for the really cool: everyone is kind, everyone is open to experiencing and learning new things, and there are colors everywhere, from the tent-tops to the facepaint to the absurd, million-dollar set-ups that Hudson Project DJs have erected, which blare music from their computers to pulsating space-flowers as they bite their lips and look commandingly over the crowd, like they’re doing everyone a big favor.

Exactly like Sesame Street. Except on Sesame Street, you can probably get a hamburger for less than $8.

The pervasive positivity takes getting used to. There are signs everywhere that read “Good Vibes,” and nobody’s got a lousy thing to say about the whole situation. It’d all be grating if it weren’t so damned sincere.

 

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Malcolm Xavier Archibald, for example, is revved up. He’s flipping a Nerf football around in his hands, he won’t stop smiling, and he has been completely and totally sucked into the grooviness of it all as he travels with his festival-partner Laura Popawlski toward the New York tent to take in a DJ as an hors d’oeuvre for tonight’s dual entree, Big Gigantic and Kendrick Lamar.

“People are all trying to enjoy themselves, but at the same time love everyone that’s here,” he says. “Everyone is trying to experience something new, learn about new types of music, and see their favorite artists ever. This is literally the first ever Hudson Project. It was literally 20 years ago that Woodstock ’94 happened, and this is the next big event. We’re here to make our generation known, that we can party, too.”

Hopefully not too hard. It’s been 20 years, in part, because the kids of Woodstock ’94 partied hard enough to cause post-traumatic stress syndrome in many locals, who have struggled with the memories of such vicious partying for the better part of the past two decades. It took the Schaller family, proprietors of Winston Farm, and Michael Lang, the Hudson Project venue manager, years to get the necessary paperwork together and passed. But the fun has reconvened, and as the adage goes, time heals all party fouls and Footloose-esque fun embargos.

Or something.

“One thing I like about coming to a small festival is that I got super close-up to ZZ Ward, which is one of the acts that I wanted to come here to see,” says Maria Bartolotta. “I showed up there on time and I got to stand right at the front! Eventually all these people started walking over and it turned into a great show. You can get to everything.”

View photo galleries for any of the mid-major to major music festivals out there, and you’ll see the same thing: seas of throbbing humanity for even middleweight acts, and for the big guys a half a mile of people separating the casual fans from the spittle of the singers. Here, the mid-level acts attract solid crowds, but not huge ones, and the heavyweight acts attract great crowds, but not terribly compact or stacked in such a way that Modest Mouse becomes invisible and indecipherable among a sea of fans packed an inch away from each other. The main stage is huge, and wholly visible from 180 degrees.

But the legendary mud of Winston Farm has sucked down more sandals than Charybdis did sailors, and caused many sparkling party shirts to look like two-a-day tank tops. The musical issue, though, comes in the form of midday show attendance: from noon until 3, certain bands are playing to crowds so meager that a high school event organizer would call the show a wash.

What does it matter though? The middle of the day isn’t really for the third-string bands, unless you or your crew are restless and want to take in some of the riff-raff to break the monotony of dry sun and the unelectrified, Keurig-less, non-glam camping.

# hudson project couple s

Around noon is the time for kids in their hippie rags and their body sparkles to dance in the tent-favela, under the mindful eye of rich-camp security, to pound back questionable edibles and experience a kind of tribalism that most people haven’t felt since summer camp. The signs that the concert-goers carry — like the enormous head of Mike Woodson on the immense stretch of PVC pipe — are tribal totems. In the pit of concert, they are carried and held high to show other tribe members where the brunt of the party-party is, and to attract stragglers; by night they are put up outside of tents just to remind you whose turf you’re on. One totem is of a psychedelic six-armed Pikachu, imitating Vishnu. Another is a loose-limbed blow-up doll strung up like a traitor at the end of a long pole.

On the third day, there is rain. At the advice of my elders and weather.com, I ride the bench for the final day, which was set to be the biggest banger, with a set from showstopper and big-get Bassnectar as a send-off. Insiders claimed that everything was solid, that the vibe was tight, and that the Argentina v. Germany World Cup Final was being played on a big screen in one of the tents until show staff, at 4:45 p.m., announced that because of warnings from the National Weather Service, the site would be evacuated.

Just like that, the tribes had nowhere to go. Some cursed God, MCP Presents and the town of Saugerties, if they knew where they were. Most took it in stride. Maria, the one who saw ZZ Ward, told me what going to a festival is all about.

“The point of a festival is not to care about stupid shit,” she said. “If you’re muddy, dirty, or uncomfortable. If you’re here, you’re going to be dirty and disgusting. You’ve just got to grow a thick skin and learn to have a good time, and you’ll learn to love everything. I love that I’m dirty.”

 

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